My friend and I mull over the teas
displayed in square jars
with beveled glass labeled by type.
Each name seems part of a haiku:
“After the Snow Sprouting.” “Moon Palace.”
“Mist Over the Gorges.”
I’m drawn to green teas
with unoxidized leaves that don’t wither,
hold their grassy fragrance
like willow under snow in winter.
The proprietor offers real china for the Chinese tea.
Animal bones, fine ground, give whiteness,
translucency and strength
to the porcelain that appears delicate,
resists chipping.
The rim of the cup is warm and thin.
My friend’s lips are plush: her lovely
mouth opens to give advice I ask for.
We talk about memory of threshold events,
like a first kiss or a poem published.
She can’t remember…
I tell her about my brother-in-law’s
chemotherapy—his third bout of cancer.
He wants his family to put a pinch
of his ashes in things he liked:
his banjo, the top drawer of his desk, the garden.
I wouldn’t mind becoming part
of a set of bone china that serves tea
in a cozy teahouse smelling of incense,
cinnamon, musk, and carved teak.
I’d like to be brought to a small table,
sit between friends’ quiet words,
held in hands so close that breath
on the surface of warm drink
makes mist rise over their faces.
“At the Tea Garden” by Margaret Hasse from Earth’s Appetite. © Nodin Press, 2013. Reprinted with permission. (buy now)
It's the birthday of the biographer James Boswell (books by this author), born in 1740 in Edinburgh, Scotland. His family was descended from minor royalty, and they had occupied the same land more than two hundred years. Boswell's father was a judge who insisted that his son study law. So James Boswell passed his bar exams in Scotland, but he didn't really like law and he didn't really like Scotland. Boswell loved gossip, drinking, and traveling, and he wanted to be in London, to be in the company of the rich and famous. He also wanted to be known as a great lover, so he bragged constantly about his love life.
James Boswell was a good writer with an incredible memory, and he started keeping a journal as a teenager, and he kept it for the rest of his life, filled with reflections and anecdotes about the famous people he befriended—Voltaire, Rousseau, Oliver Goldsmith, John Wilkes. Most of all he wrote about his friend Samuel Johnson. When Boswell was just 22 years old, he met Johnson, who was his idol, in the back of a bookshop. Johnson was 53, and he gave the young Boswell a hard time when he met him, but Boswell went back to visit him anyway and they soon became good friends. Over the next 20 years, Boswell followed Johnson around, and he always had paper and took notes constantly. Johnson was often frustrated with Boswell, and Boswell could be critical of Johnson, but they still liked to spend time together, and they traveled together through Scotland and the Hebrides.
After Johnson's death, Boswell spent years writing a biography of his friend. He used letters, interviews, as well as his own diary, of which he said, "A page of my Journal is like a cake of portable soup. A little may be diffused into a considerable portion." Finally, in 1791, The Life of Samuel Johnson was published, and people loved it. There had never been a biography like it before. Instead of a dry recitation of facts, Boswell filled his book with personal anecdotes and vivid descriptions, and overall it was fun to read, and he made Johnson sound like a real person who wasn't totally perfect. It's still considered one of the greatest biographies ever written, and it's a big part of the reason why Samuel Johnson is still so famous today.
Today is the birthday of the folk artist and quilt maker Harriet Powers, born into slavery outside Athens, Georgia (1837). She was married at 18 and gave birth to nine children. She lived most of her life in Clarke County, where in 1897, she began exhibiting her quilts at local cotton fairs. She was believed to have been a house slave and first learned to read with the help of the white children she cared for.
Powers quilts used a combination of hand and machine stitching along with appliqué to form small detailed panels. She then organized these squares to unfold a larger story, much like a modern graphic novel. This teaching style of quilting has its roots in West African coastal communities, and her uneven edging of panels mirrored the complex rhythms of African-American folk music. Through her quilts, she recorded legends and biblical tales of patience and divine justice. Only two pieces of her work have survived: Her Bible quilt of 1886, which she sold for $5 in the aftermath of the war, now hangs in the Smithsonian in Washington, D.C. Her Pictorial quilt of 1888 is displayed in the Museum of Fine Arts in Boston. Powers' work is now considered among the finest examples of Southern quilting from the 19th century.
The city of Athens held a centennial celebration in her honor in 2010, and the mayor officially declared October 30th as Harriet Powers Day.