are having a sort of coffee klatch as they clean
calling across the corridors in their rich contraltos
while luffing fresh sheets in the flickering gloom
of the turgid passionate soaps they follow from room to room.
In Atlanta they are black, young, with eloquent eyes.
In Toledo white, middle-aged, wearing nurses’ shoes.
In El Paso always in motion diminutive Chicanas
gesture and lift and trill in liquid Spanish.
Behind my “Do Not Disturb” sign I go wherever they go
sorely tried by their menfolk, their husbands, lovers or sons
who have jobs or have lost them, who drink and run around,
who total their cars and are maimed, or lie idle in traction.
The funerals, weddings and births, the quarrels, the fatal gunshots
happen again and again, inventively reenacted
except that the story is framed by ads and coming attractions,
except that what takes a week in real life took only minutes.
I think how static my life is with its careful speeches and classes
and how I admire the women who daily clean up my messes,
who are never done scrubbing with Rabelaisian vigor
through the Marriott’s morning soaps up and down every corridor.
“The Chambermaids in the Marriott in Midmorning” by Maxine Kumin from Where I Live: New and Selected Poems 1990-2010. © W.W. Norton and Company, 2011. Reprinted with permission. (buy now)
It's the birthday of novelist Robert Stone (books by this author), born in Brooklyn (1937). He was raised by his mother, who was schizophrenic, and when she was institutionalized, he spent several years in a Catholic orphanage. Sometimes he and his mother would drive across the country and end up in a Salvation Army somewhere, or a random hotel. He said: "My early life was very strange. I was a solitary; radio fashioned my imagination. Radio narrative always has to embody a full account of both action and scene. I began to do that myself. When I was seven or eight, I'd walk through Central Park like Sam Spade, describing aloud what I was doing, becoming both the actor and the writer setting him into the scene. That was where I developed an inner ear."
Stone dropped out of high school to join the Navy, then moved back to New York City. He worked as a copy boy at the Daily News, and during his brief stint at NYU, he met Janice Burr, the woman he eventually married. They moved to New Orleans, and Stone found work as a census-taker. He walked every neighborhood of New Orleans, asking questions. He wrote: "The closer to street level you live, the more you have lessons thrust upon you."
His time in New Orleans inspired his first novel, A Hall of Mirrors (1967). It begins: "The day before, Rheinhardt had bought a pint of whiskey in Opelika and saved it all afternoon while the bus coursed down through red clay and pine hills to the Gulf. Then, after sundown, he had opened the bottle and shared it with the boy who sold bibles, the blond gangling country boy in the next seat. Most of the night, as the black cypress shot by outside, Rheinhardt had listened to the boy talk about money — commissions and good territories and profits — the boy had gone on for hours with an awed and innocent greed. Rheinhardt had sat silently, passing the bottle and listening."
Stone served as a correspondent in Vietnam for a British magazine, which quickly folded, but he got enough material to return home and write the novel Dog Soldiers (1974). Dog Soldiers is the story of a burnt-out playwright named John Converse who leaves the fading counterculture of California to work as a correspondent in Vietnam and ends up smuggling heroin out of the country. Dog Soldiers won the National Book Award.
Stone's other books include Children of Light (1986); Prime Green: Remembering the Sixties (2007), a memoir; and Fun With Problems (2010), a book of short stories.
He said: "Writing is lonely. [...] But most of the time you are in a room by yourself, you know. Writers spend more time in rooms, staying awake in quiet rooms, than they do hunting lions in Africa. So, it's a bad life for a person because it's so lonely and because it consists of such highs and lows, and there's not always anywhere to take these emotional states. [...] It's a life that's tough to sustain without falling prey to some kind of beguiling diversion that's not good for you."