Monday Feb. 27, 2017

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The Tyger

Tyger, tyger, burning bright
In the forests of the night,
What immortal hand or eye
Could frame thy fearful symmetry?

In what distant deeps or skies
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand dare seize the fire?

And what shoulder and what art
Could twist the sinews of thy heart?
And, when thy heart began to beat,
What dread hand and what dread feet?

What the hammer? What the chain?
In what furnace was thy brain?
What the anvil? What dread grasp
Dare its deadly terrors clasp?

When the stars threw down their spears,
And water’d heaven with their tears,
Did He smile His work to see?
Did He who made the lamb make thee?

Tyger, tyger, burning bright
In the forests of the night,
What immortal hand or eye
Dare frame thy fearful symmetry?

“The Tyger” by William Blake. Public domain.   (buy now)

It's the birthday of novelist John Steinbeck (books by this author) born in Salinas, California (1902). In the 1930s, his most productive decade, he wrote several novels about his native California, including Tortilla Flat (1935), set in Monterey; In Dubious Battle (1936), about fruit-pickers on strike in a California valley; and Of Mice and Men (1937), set on a ranch in Soledad, southeast of Steinbeck's birth town.

Of Mice and Men, the story of farmworker Lenny and his friend George, was a big commercial success, and it was also a highly banned book. In fact, it was among the American Library Association's "most challenged books of the 20th century." In support of the ban, people accused Steinbeck of having an "antibusiness attitude" and said that his "patriotism" was "questionable." One person — in the 1990s — wrote that the book should be banned because Steinbeck took "God's name in vain 15 times" and "[used] Jesus' name lightly."

In the 1940s, Steinbeck worked as a journalist — as a war correspondent. He sent dispatches from all around the Mediterranean and from North Africa during World War II. After the war was over, he started taking trips to the Soviet Union, going to Moscow, Kiev, Stalingrad, and also many out-of-the-way places in the Soviet republic where Western reporters had not traveled. He tried learning Russian but never really attained fluency. He once wrote home about how he proudly tried to order a breakfast of omelet, toast, and coffee, and was served in response a "tomato salad with onions, a dish of pickles, a big slice of watermelon, and two bottles of cream soda."

In 1940, after the publication of The Grapes of Wrath, he won the Pulitzer Prize. He always professed to be leery and afraid of literary awards and their effect on writers. He said that after Faulkner won the Nobel Prize, hearing him talk so loftily about "writing" and "the Artist" made him (Steinbeck) want to "leave the profession."

And then, in 1962, a decade after East of Eden (1952) and shortly after the publication of Travels with Charley (1962), Steinbeck won the Nobel Prize in literature for his "realistic and imaginative writing, combining as it does sympathetic humor and keen social perception." When a reporter at a press conference asked if he thought he deserved it, he said, "Frankly, no."

But he accepted the prize and gave a lofty acceptance speech, in which he said, "A writer who does not passionately believe in the perfectibility of man has no dedication nor any membership in literature."

Afterward, he was worried about the prize's effect upon his future writing. He thought about other major prizewinners and confided to a friend: "For one thing I don't remember anyone doing any work getting it save maybe Shaw. This last book of Faulkner's was written long ago. Hemingway went into a kind of hysterical haze. Red Lewis just collapsed into alcoholism and angers. It has in effect amounted to an epitaph. Maybe I'm being over-optimistic but I wouldn't have accepted it if I hadn't thought I could beat the rap."

As it happens, he was doomed just as he feared — he died six years later, not having published a single novel since winning the prize. The Grapes of Wrath is generally considered his masterpiece. In it, he wrote: "The cars of the migrant people crawled out of the side roads onto the great cross-country highway, and they took the migrant way to the West. ... And because they were lonely and perplexed, because they had all come from a place of sadness and worry and defeat, and because they were all going to a mysterious new place ... a strange thing happened: the twenty families became one family, the children were the children of all. The loss of home became one loss, and the golden time in the West was one dream."

John Steinbeck said: "The writer must believe that what he is doing is the most important thing in the world. And he must hold to this illusion even when he knows it is not true."

Be well, do good work, and keep in touch.®